![]() ![]() His comedic pacing, quirky body language and accentuated diction supplements each scene instead of overwhelming it.ĭesign director Paul Wills took a departure from the go-to Elizabethan playhouse in favour of a more contemporary, Zen meets Italian, minimalist set aesthetic – perhaps to allude the Romeo and Juliet component of Shakespeare in Love. Understandably so, Araujo is simply a delight to watch in action. And Robyn Scott’s Queen Elizabeth imposes with an exhilaratingly majestic dominance while Darron Araujo’s campy take on the debt-ridden Henslowe seems the audience favourite. ![]() Notable mentions include wing-man Theo Landey as the dashing and dapper Marlowe, who serves as the perfect antidote to the deliciously devilish Lord Wessex, portrayed by Jason K. The evidently angsty nuances and conflicted duality outlines a clear scope of the elusive Kent.īut most of the standout performances come from Karvellas’ strong sense of ensemble with his supporting players offering some sugar, spice, and all things nice. Hayward steps it up with her take on Thomas Kent. Luckily the sizzling chemistry between Hayward and Edy as the star-crossed couple is perfectly matched. Her Viola rings a bit wooden and corny at times, even verging on annoying which, ironically, stays true to the celluloid counterpart played by Gwyneth Paltrow. ![]() Roxanne Hayward is afforded the most creative variety as she flickers between Viola De Lesseps and Thomas Kent. Edy seems genuinely inflamed with love as he manages to hold steadfast next to a solid supporting cast. We see the young Will Shakespeare falling for the an heiress, Viola de Lesseps, who has secretly enrolled herself as a boy-player in Henslowe’s company.As Will Shakespeare, Dylan Edy instantly vows the audience with classic, leading-man bravado coupled with a whimsical and impetuous spirit. Shakespeare in Love is essentially a rendition of Romeo and Juliet laced with hints of other famous works such as Twelfth Night. His blocking is superb, particularly with numerous mise-en-scéne segments throughout the show. And with enigmatic performances from some of South Africa’s top actors, it’s a taut and sophisticated production which complements Lee Hall’s well-written script. Karvellas and his team have masterfully merged creative moments. Shakespeare in Love is sheer entertainment above all else. Director Greg Karvellas’ seamless direction of this production, which was adapted from the 1998 Oscar-winning film of the same name, is a powerful paean and injects the city’s arts roster with the a heady dose of pizzaz just in time for the festive season. Henslowe may be onto something when he jokes that all audiences want is love and a bit with the dog, but this film delivers much more.Screen-to-stage renditions may have garnered up a bit of a bad rep in the theatre arsenal, but it looks like Shakespeare in Love, currently running at The Fugard Theatre, is an excellent case to refute the theory. Snatching ideas from everywhere and making them wonderfully his own. In a particularly well-cast film that includes Judi Dench as Queen Elizabeth and Rupert Everett as rival Christopher Marlowe, Fiennes is a felicitous lead: He replaces the stodgy, historical image of the Bard of Avon with a youthful man bursting with creativity, By dipping into the playwright's own bag of dramatic tricks - including mistaken identity and gender-bending - screenwriters Marc Norman and Tom Stoppard celebrate Shakespeare while making him as accessible to contemporaryĪudiences as he was to his own. Precisely what commercially minded Henslowe doesn't want. Viola's wealthy family plans to marry her off to the noble (if penniless) Lord Wessex (Colin Firth), and the doomed affair inspires Will to write the tragic Romeo and Juliet, which is ![]() Will eventually figures out that the object of hisĪffection and his leading "man" are one and the same, but the course of true love does not run smooth. The lusty playwright finds his muse in Viola de Lesseps (Gwyneth Paltrow): Disguised as a boy, she auditions for and wins the role of Romeo. The unpromising title Romeo and Ethel, the Pirate's Daughter, and a bad case of writer's block. Unfortunately, young Will has also sold the idea to a rival theater, and, more unfortunate still, all he has is It's 1593, and scruffy but good-hearted theater owner Philip Henslowe (Geoffrey Rush) has commissioned the newest play by up-and-comer William Shakespeare (Joseph Fiennes). This delightful, fast-paced and entirely fictional imagining of Shakespeare's life during the writing of Romeo and Juliet brims with witticisms predicated on the determination to have a rollicking good time exploring the link between libido andĬreativity. ![]()
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