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![]() ![]() “And who doesn’t like flicking penguins?” Ticket to RideĪ perfect introduction to the style of strategy game prominent in Europe since the 1980s, Ticket to Ride has players build routes across various cities, countries, continents and eras, depending on the edition you select. “It’s a game of manual dexterity and muscle memory,” said Jon Freeman, the owner of the Brooklyn Strategist, a game shop and after-school program. Players take turns flicking bobble-headed pieces around the board, trying to catch fish, while a no-fun hall monitor tries to catch them. “A game that has a lot of card draws from a deck or a lot of dice rolls tends to be a little more forgiving,” he said, because a win rests on luck rather than skill.Ī game straightforward enough for the kindergarten-set that will keep adults immersed, too, ICECOOL casts players as class-cutting penguins. ![]() Games with an element of randomness can help, the game designer Nick Fortugno suggested. Or opt for team-based play, in which stronger players can help weaker ones. If your group includes sore losers and bad winners, try cooperative games, in which everyone plays against the game itself. Then work up to something more absorbing. At first, set the bar for entertainment low: Everyone plays, no one cries. Starting with basic versions can prepare them for more complicated ones. ![]() Most children tend to pick up games pretty quickly. And that’s not easy,” said Erik Arneson, the author of “How to Host a Game Night.” But it’s not impossible, either. “You need a game that’s going to appeal to everybody. How to pick a game that will delight the youngest players without boring older ones silly? Some good news: We are living through a 24-karat golden age of tabletop games, an amusement Renaissance that sees thousands of board games published every year, in a dizzying array of story, strategy and design. So even as parents scramble for offscreen entertainment over the holidays, the prospect of a family game night may drive them to despair. Candy Land is dull, Chutes and Ladders preachy, the Game of Life troubling in its implications. ![]() ![]() ![]() His comedic pacing, quirky body language and accentuated diction supplements each scene instead of overwhelming it.ĭesign director Paul Wills took a departure from the go-to Elizabethan playhouse in favour of a more contemporary, Zen meets Italian, minimalist set aesthetic – perhaps to allude the Romeo and Juliet component of Shakespeare in Love. Understandably so, Araujo is simply a delight to watch in action. And Robyn Scott’s Queen Elizabeth imposes with an exhilaratingly majestic dominance while Darron Araujo’s campy take on the debt-ridden Henslowe seems the audience favourite. ![]() Notable mentions include wing-man Theo Landey as the dashing and dapper Marlowe, who serves as the perfect antidote to the deliciously devilish Lord Wessex, portrayed by Jason K. The evidently angsty nuances and conflicted duality outlines a clear scope of the elusive Kent.īut most of the standout performances come from Karvellas’ strong sense of ensemble with his supporting players offering some sugar, spice, and all things nice. Hayward steps it up with her take on Thomas Kent. Luckily the sizzling chemistry between Hayward and Edy as the star-crossed couple is perfectly matched. Her Viola rings a bit wooden and corny at times, even verging on annoying which, ironically, stays true to the celluloid counterpart played by Gwyneth Paltrow. ![]() Roxanne Hayward is afforded the most creative variety as she flickers between Viola De Lesseps and Thomas Kent. Edy seems genuinely inflamed with love as he manages to hold steadfast next to a solid supporting cast. We see the young Will Shakespeare falling for the an heiress, Viola de Lesseps, who has secretly enrolled herself as a boy-player in Henslowe’s company.As Will Shakespeare, Dylan Edy instantly vows the audience with classic, leading-man bravado coupled with a whimsical and impetuous spirit. Shakespeare in Love is essentially a rendition of Romeo and Juliet laced with hints of other famous works such as Twelfth Night. His blocking is superb, particularly with numerous mise-en-scéne segments throughout the show. And with enigmatic performances from some of South Africa’s top actors, it’s a taut and sophisticated production which complements Lee Hall’s well-written script. Karvellas and his team have masterfully merged creative moments. Shakespeare in Love is sheer entertainment above all else. Director Greg Karvellas’ seamless direction of this production, which was adapted from the 1998 Oscar-winning film of the same name, is a powerful paean and injects the city’s arts roster with the a heady dose of pizzaz just in time for the festive season. Henslowe may be onto something when he jokes that all audiences want is love and a bit with the dog, but this film delivers much more.Screen-to-stage renditions may have garnered up a bit of a bad rep in the theatre arsenal, but it looks like Shakespeare in Love, currently running at The Fugard Theatre, is an excellent case to refute the theory. Snatching ideas from everywhere and making them wonderfully his own. In a particularly well-cast film that includes Judi Dench as Queen Elizabeth and Rupert Everett as rival Christopher Marlowe, Fiennes is a felicitous lead: He replaces the stodgy, historical image of the Bard of Avon with a youthful man bursting with creativity, By dipping into the playwright's own bag of dramatic tricks - including mistaken identity and gender-bending - screenwriters Marc Norman and Tom Stoppard celebrate Shakespeare while making him as accessible to contemporaryĪudiences as he was to his own. Precisely what commercially minded Henslowe doesn't want. Viola's wealthy family plans to marry her off to the noble (if penniless) Lord Wessex (Colin Firth), and the doomed affair inspires Will to write the tragic Romeo and Juliet, which is ![]() Will eventually figures out that the object of hisĪffection and his leading "man" are one and the same, but the course of true love does not run smooth. The lusty playwright finds his muse in Viola de Lesseps (Gwyneth Paltrow): Disguised as a boy, she auditions for and wins the role of Romeo. The unpromising title Romeo and Ethel, the Pirate's Daughter, and a bad case of writer's block. Unfortunately, young Will has also sold the idea to a rival theater, and, more unfortunate still, all he has is It's 1593, and scruffy but good-hearted theater owner Philip Henslowe (Geoffrey Rush) has commissioned the newest play by up-and-comer William Shakespeare (Joseph Fiennes). This delightful, fast-paced and entirely fictional imagining of Shakespeare's life during the writing of Romeo and Juliet brims with witticisms predicated on the determination to have a rollicking good time exploring the link between libido andĬreativity. ![]() ![]() ![]() Sanitary and Food Grade Conveyors - HC200 Stainless Steel. CONTIFLEX EP Textile Conveyor Belts for a Wide Range of. 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![]() In the exercises, you will use Rhino’s navigation tools, shaded preview, render, and use some basic object manipulation. If you have never worked with 3-D computer modeling before, Getting Started with 3D, A Designer’s Guide to 3D Graphics and Illustration, by Janet Ashford and John Odam is one of several excellent books that will help you learn some of the terminology and basic principles of 3-D design on computers. If you have experience using a 3-D modeling program, the following exercises may seem simple, but they will help you understand Rhino’s interface and navigation tools. By rendering you can add color, texture, shadows, and lights. When you have a view you like, you can render the view. ![]() You can do this in both a wireframe view and a shaded view. You can manipulate the views and look at your model from different angles easily by dragging with your right mouse button. Rhino provides tools to help you do this. Your First Look Working in 3-D on a computer requires that you visualize three-dimensional objects drawn on a two-dimensional medium- the computer screen. For additional information on Rhino features go to page 66. Rhino can create polygon mesh objects that approximate the NURBS objects to export to those programs. Polygon mesh objects are used by some programs for rendering and animation, stereolithography, VRML, and finite element analysis to approximate a smooth surface. Rhino’s Geometry Types There are five fundamental geometric objects in Rhino: points, NURBS curves and surfaces, and polygon meshes. Because of their flexibility and accuracy, NURBS models can be used in any process from illustration and animation to manufacturing. NURBS Non-uniform rational B-splines (NURBS) geometry is a mathematical representation that can accurately define any shape from a simple line, circle, arc, or box to the most complex 3-D free-form organic surface or solid. You are free to create the model any way you want. With Rhino, you can create free-form curves, surfaces, and solids. You can model and render objects that you could previously create only using software and hardware many times more expensive. Rhino provides a flexible, accurate, and fast working environment. With Rhino you can model anything from a heart valve to a ship hull and from a mouse to a monster. Introduction Rhinoceros is a 3-D NURBS modeling program for Windows. 66 Features 66 Rhino is a Companion to Other Design Programs 67 Technical Support and Additional Documentation 67 Ordering information 68 57 Create a Surface From Edge Curves 57 Revolve a Curve Around an Axis 58Įxtrude a Curve Straight Sweep a Curve Along a Single Rail Curve Sweep a Curve with Two Rails Revolve a Curve With a Rail Loft a Surface Through Curves When to Use Loft and When to Use Sweep Blend a Surface Between Two Surfaces Offset a Surface Other Ways to Create Surfaces 7įeatures. 45 Enter Coordinates 45 Draw the Pull Toy Body 45 Draw the Axles and Wheel Hubs 46 Draw the Lug Nuts 48 Assign Colors 49 Array the Lug Nuts 50 Draw the Tires 50 Mirror the Wheels 51 Draw the Eyes 53 Make the Pull Cord 54 Try On Your Own 56Ĭreate Surfaces. 28 Create the Body and Head Shapes Try on Your Own Look at the gallery imagesĬreate a Pull Toy. 17 Start the Flashlight Model 17 Draw the Body 18 Cut the Reflector Shield 20 Cut Out the Inside of the Flashlight Body 21 Draw the Lens 23 Draw the Switch 24 Render the Flashlight with Color 24 Try on Your Own 27Ĭreate a Rubber Ducky. 6 Rhino Commands Start Using Rhino Try on Your Own Navigating Around the Model Drag Objects Copy Objects Review Try on Your Own Repeat the Last Command Undo a MistakeĬreate a Flashlight. 5 NURBS 5 Rhino’s Geometry Types 5 Your First Look. ![]() Request permission to republish from: Publications, Robert McNeel & Associates, 3670 Woodland Park Avenue, North, Seattle, WA 98103 FAX (206) 545-7321 e-mail To copy otherwise, to republish, to post on servers, or to redistribute to lists requires prior specific permission. Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage. Printed in U.S.A.Ĭopyright © by Robert McNeel & Associates. IntroductionToRhino.doc © Robert McNeel & Associates 1998. ![]() ![]() ![]()
![]() ![]() But when I open the cage, if I have them targetted, or if I retarget them, errors. Despite how complex and confusing the StarCraft Campaign Editor may appear at times, I was only able to include tips on the mere. When the cage is closed and the NPCs are still, no issues. StarCraft: Campaign Editor Prima Fast Track Guide. Same thing happens when I target an NPC that's trapped in a prison cage. But as soon as I initiate the next step of the chain, and Khadgar goes to run off, if I target him, it floods with an error. If I target Khadgar when he's offering me a quest, no issues. ![]() For instance, at the WoD starter area, when you're following Khadgar around. Just tested it again- It seems to happen when I target a friendly NPC that's transitioning. Is there a safeguard I can put in or an "else" clause that would tell it to return some sort of set color if no class can be found? I'm thinking this is happening because the target has no identifiable class. One problem I'm having: From time to time, when I click on an NPC it will flood with errors again. Thank you both for your help! I wasn't expecting to get so much assistance so quickly! Is there a way to safeguard against this? Some way to return "." or "Name Unknown" if it can't find the name? I think it's trying to find my target's name, but since I don't have a target, it's coming back as an error. Interface\AddOns\WeakAuras\a:5019: in function Interface\AddOns\WeakAuras\RegionTypes\a:91: in function `UpdateCustomText' ![]() Message: :29: attempt to concatenate local 'unit_name' (a nil value) It works fine at first, but then it causes a massive error when I open the weakauras options. If (select(2, UnitClass("target")) = "HUNTER") thenĮlseif (select(2, UnitClass("target")) = "DEATHKNIGHT") thenĮlseif (select(2, UnitClass("target")) = "MAGE") thenĮlseif (select(2, UnitClass("target")) = "DRUID") thenĮlseif (select(2, UnitClass("target")) = "MONK") thenĮlseif (select(2, UnitClass("target")) = "PALADIN") thenĮlseif (select(2, UnitClass("target")) = "PRIEST") thenĮlseif (select(2, UnitClass("target")) = "ROGUE") thenĮlseif (select(2, UnitClass("target")) = "SHAMAN") thenĮlseif (select(2, UnitClass("target")) = "WARLOCK") thenĮlseif (select(2, UnitClass("target")) = "WARRIOR") then ![]() ![]() I beta test for Toontrack, so hopefully between us all we can get you up and running. The GOOD NEWS is that (after 3rd installation) the new Waves plugin has finally showed up in the NEW VST folder so it must have download different types - although I only saw Vst3. I'm pretty sure now that the plugins that were in there were only duplicates as I said. I think that as to why the folder was there one minute and then vanished will have to remain a mystery. I'll change the path and take note of the position aspect. Is not a valid path change it to C:\Program Files\Common Files\VST3 so that it is that exact name of the path.Īnd, as that VST3 path is the last in the list, any VST3 files will take precedence over any same-named VSTs. In the VST path list C:\Program Files\Common Files\Vst3Plugins Your screenshot has a scroll bar, so I guess there are more plug-ins listed. I do not know what those "application extension" files would be - iZotope "helper" files, perhaps?Īnd Reaper does not, as far as I know, put anything in the VST3 folders. I am now getting the attached message when I open an existing projectĪs you have 16 VST files then that Waves VST3 is not your first one. When I first started download freebies I wasn't sure where they were going! But this is the first one that I have actually purchased and I didn't realise that it was a Vst3. Not sure to be truthful, all the one ones I had in there (as listed above) could just have been duplicates of other versions. is this Wave plug-in your first VST3 plug-in? My paths: C:\Program Files (x86)\VstPlugIns C:\Program Files\Steinberg\VstPlugins C:\Program Files\Common Files\Vst3Plugins can you tell us all the paths listed, in order, in Reaper's Preferences / Plug-ins / VST? are you running Reaper 64-bit? Or 32-bit? and in C/Program Files (x86)/Common files/ VST3? Various other Reaper related files/ installation packages etc what files are there is C/Program Files/Common files/ VSTġ6 Vst3 files (probably Vst3 duplicates of other Vst's) ANd there is no need to uninstall Reaper when installing a different version. ![]() I meant Windows Explorer (or OSX Finder). Thanks everyone for your input but still frustrated as I have just bought a Waves Vst3 plugin and cannot use it! Is this necessary for a clean re install? I said in my first post that I had tried re installing Reaper but I did not Uninstall existing version first. C/Programme files/Common files/ VST3.ģ) When searching for Vst3 in Reaper's Search/Finder there are no resultsĥ) Both Vst3 and Vst3i are checked in the 'show in left hand pane option'. Problem: Vst3 folder has disappeared from the main Plugin access string.ġ) The correct Vst3 plugin path is in placeĢ) The VST3 folder is present in Windows i.e. ![]() So just to recap on the problem and the solutions put forward: Tried opening a new project but it's the same. So re installed Reaper but the VST3 folder still missing. On further investigation I find that my VST3 plugin folder has disappeared from the list along with everything in it! I have looked in preferences and Options but cannot find any reference to folders in this respect. When that’s done, restart your IDE and enjoy the plugin.When I opened an existing project using EZdrummer, Reaper tells me that EZdrummer cannot be accessed. ![]() Once all done click the Install button.Īccept the terms in all of the license agreements and follow the installation process. ![]() You can select multiple plugins and add them all at the same time. Navigate to Tools on the NetBeans task bar and select Plugins.Ĭhose the Available Plugins tab and browse the catalog. You can either chose to restart your IDE now or later, I will suggest selecting the first option so you can get advantage of your installed plugin straight away. Navigate to the location where your plugin was saved and click Open button.Īccept the terms in all of the license agreements and follow the installation process. Chose the Downloaded tab and click on Add Plugins button. Go to NetBeans and navigate to the Tool Bar. Navigate to the NetBeans Plugin Portal where you can browse all the available plugins There are two ways off adding new plugins to your NetBeans IDE: 1. I thought it might be useful to show you how to install plugins from NetBeans Plugin Portal as well as from the NetBeans IDE itself. How to install plugins in your NetBeans IDEĪs a developer at IDR Solutions I spend a lot of my time working with NetBeans IDE and NetBeans PDF Viewer plugin. She is very passionate about programming and all things Polish. Sylwia Dorota Kedzia Sylwia is a Java developer. ![]() |
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